Frequently Asked Questions

A wide range of easel paintings, including oil and acrylic paintings on canvas, wooden panel, metal and other traditional supports. This encompasses modern and contemporary works, as well as historic paintings and Old Masters. Every artwork is carefully assessed, and treatment recommendations are tailored to its condition, materials and individual requirements. Conservation is not limited to high-value artworks; many clients seek treatment for paintings that hold personal, family or decorative importance. 

Yes. You are welcome to send clear photographs of the front, back, and any areas of concern. While a full assessment usually requires seeing the painting in person, photographs can often help determine whether conservation may be beneficial and whether an in-person examination is recommended. 

The cost of conservation treatment varies depending on the size of the painting and the complexity of the treatment required. Initial assessments and treatment recommendations are provided free of charge. Following examination of the artwork, a detailed quotation will be provided before any work begins. 

No. Initial assessments and treatment recommendations are provided free of charge. You are welcome to send photographs of your painting for preliminary advice. If conservation treatment is recommended, a detailed quotation and proposed treatment plan will be provided before any work is undertaken. 

Conservation focuses on preserving and stabilising an artwork. Restoration refers to treatments that improve the visual appearance of a painting, such as reducing the appearance of damage or discolouration. Modern conservation practice combines both approaches where appropriate, whilst ensuring that any intervention is carefully considered and documented. 

Not necessarily. The aim of conservation is to preserve and stabilise the artwork rather than make it appear newly painted. Treatments are tailored to each painting and seek to improve its appearance whilst preserving the integrity of the original materials.

In many cases, yes. Paintings affected by fire, smoke, water or flooding can often be stabilised and treated, although the extent of recovery will depend on the nature and severity of the damage. Following an assessment, advice can be provided on the most appropriate course of action and the likely treatment outcomes.